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Curious about Kirtan?  Read a recent news story that helps to demystify this ancient tradition....

Purely by chants: the next holistic activity in Newburyport
By Dinah Cardin
Friday March 4, 2005

Printed with permission of Community Newspaper Company

The mere invitation to Songfire is enough to stir the senses: Come lend your being - body, breath and vibration - to a Songfire, where even the simplest rhythms, sounds and syllables can, like a bonfire starting from sticks and kindling, grow into roaring, soaring song.

And here's the best part: No prior singing experience required. Or as the African proverb goes: "If you can talk, you can sing."

Songfire, at the New England Institute of Sacred Arts in Newbury, is one monthly offering of chanting in the Newburyport area. Kirtan, offered periodically at Stillness in Motion Studio for Yoga and Wellness on Prince Street, is another.

Both are aimed to still a speeding world, calm a racing mind and bring a moment of clarity and wholeness among a group of people who otherwise would remain forever strangers.

The experience of intense chanting is meant to open up your breathing, melt away your stresses and shift energies, very much like yoga.

Holy men and women have been using Kirtan for centuries to focus their minds in order to access the silence of "No thought."

"It's what gets me spiritually connected," says one Newburyport woman who often travels to Boston, or to Kripalu Center for Yoga in Lenox, to participate in Kirtan.

The woman, who prefers to remain anonymous, first frequented a yoga studio in Newburyport when she saw a sign hanging in Fowle's newsstand, and she now has high hopes that the increasing popularity of Kirtan will give her more opportunities to stay closer to home.

There's no doubt the yoga craze has firmly taken hold. And some say chanting could be the next yoga, or yoga with voice.

Or as one Kirtan leader put it: "Singing Kirtan is a shortcut to the higher states of consciousness, quicker than meditation, easier than Hatha Yoga, and healthier than drugs."

Newburyport resident Aura Valdes says when she hears drums and chanting, it's like her feet are rooting into the Earth, grounding her to something more real.

"It's prayer. It's church to me," says the jewelry maker and poet, who also pens her own chants. "It's something I can take with me everywhere I go."

A moment of peace
A warm and glowing evening of Kirtan held last month at Stillness in Motion studio was attended by about a dozen and run by two musicians from the Northampton area in the absence of the usual leader, Shubalananda (a.k.a. Larry Kopp), who was under the weather.

The musicians were Durga, a brunette with a sincere, pure-sounding voice, and her drummer John Sprague, part Jim Henson of the Muppets, part '60s throwback with beard, white turtleneck and brown vest. As the only musical accompaniment, he masterfully played Eastern flutes, chimes and various drums.

Jenny Lee, owner of the studio, sat drumming on her son's belly, while another little boy kept time with sticks, bells and shakers. She is passionate about sharing the meaningful practice of chanting because it helps us go deeper within ourselves to reawaken the soul and spirit that lives within us all.

The songs start calm and then sometimes rise to an explosive intensity, so real you expect whirling dervishes to bust into the room or the person next to you to stand up from a cross-legged position on the floor and start passionately performing a lusty belly dance. The intensity is meant to transport the chanter into deep meditation and higher planes of consciousness.

Sitting among chanting children, husbands and wives - both first timers and veterans - a "harmonious conversion" (as they would say in the '60s) tends to take place, rendering the world peaceful, if for only a moment.

At her Newburyport holistic education center called HEAVEN, Amy Bacheller also offers a Sound Healing workshop, where chanting and toning are meant to remove energy blocks, balance and integrate the body on all levels.

"Our bodies are always looking for balance," says Bacheller. "It [chanting] also energizes and strengthens systems of the body. It works down to the cellular level."

The meditative practice has been embraced here, she says, because "Newburyport is like a little vortex," open to holistic healing modalities.

Things usually more accepted on the West Coast are now coming to New England and Newburyport is the entry point, Bacheller says. Though it may not take off like yoga as a practice on its own, it is certainly incorporated more regularly into other practices, she says.

Over to the unknown
At Songfire, chants are sung from many different traditions, while Kirtan is part of the path of devotional yoga. The singing of Kirtan goes back thousands of years in India. The ancient chants are sung in Hindu, done in call-and-response style, and sometimes words sound familiar: Shiva, Krishna, Ganesh.

But sometimes they seem to be sort of a string of silly-sounding words: Hara Shiva Shankara Sheshanka Shekara Hara Bum Hara Bum Bum Bum Bolo Bhava Bhayankara Girija Shankara Dimi Dimi Dimi Taka Natana Khelo.

But the translation is beautiful: Shiva, destroyer of evil, bestower of good; he holds the crescent moon on his forehead; He who is Lord of Parvati. He who destroys our bondage to worldly existence; hear his anklets and his drum as he dances the dance that is the play of the universe.

These syllables were developed 5,000 years ago by "God-conscious beings," says Shubalananda, to vibrate in our bodies and actually physically awaken the spiritual energy residing in our spine.

By the third or fourth round, clearing the mind by the constant repetitive words is healing alone. Then it becomes intoxicating, frenzied and powerful. The room seems to get a little warmer and there is a sense of vibrating energy so strong you wonder if it will shake the windows overlooking downtown Newburyport from their frames.

But often the real magic happens in the silences in between, in those moments when the downy hair on your arms is standing on end.

Following the 90-minute chant, participants express the intended feeling of rejuvenation, the satiated calm after a hard workout.

"It centers you," says Lenny Willis, a yoga instructor from Hampton, N.H. "You just feel good when you leave. It doesn't matter what faith you are. This happens to be Hindu. But it doesn't matter."

"All paths lead to God," agrees Ross Varney, minister of Newburyport's Belleville Church, who points out that chanting is a part of the Christian faith too. "Music is the universal language. There is still a spiritual feeling without understanding the words."

Varney, who has been studying yoga off and on for years, says he does make an effort to know roughly what the text is about, so he won't "totally give over to the unknown."

The presence of the divine
Durga says Kirtan has exploded since the late '90s. The blossoming practice is documented in her teacher's online newsletter, reporting the mounting interest all over the Northeast.

She has studied with Shubalananda for the past six years, and the two now find themselves traveling to bring the practice of "singing to the Divine Mother" to more and more communities across New England, Durga says.

Shubalananda, with his harmonium, has also appeared with Krishna Das (whose vocals have backed up mega-yogi Sting), the chanting leader credited with bringing the practice into the mainstream in Western culture.

"It brings peace to the mind and uplifts the heart," says Durga, offering an explanation for its recent popularity. "It builds connection and community."

The Yogic Path, Durga says, can be explained as how to follow the path of the heart toward the highest in every moment.

"We chant to honor the presence of the divine in all," he says.

Meanwhile, Michael O'Leary, leader of Songfire, explains his intentions like this: "We explore the power of chant to hold us and heal us, breathe us and blend us, inspire us and ignite us. We don't sing the chant so much as the chant sings us, layering and arranging itself through our many tones and voices."

O'Leary is a full time spirit singer, chant creator/leader and shamanic practitioner with a special interest in song-doctoring, the use of received-song for healing.

The 50-year-old Gloucester resident inspires non-singers to participate simply by sharing his biography. The South Dakota native didn't begin to sing until well into his 30s.

He now weaves his passionate hobbies with earning a living as a spirit singer and voice coach. He and his bodhran (Irish drum) are frequenters of Celtic sessions throughout area pubs, and O'Leary is a member of the local group, The Beggar Boys, and of another Celtic group that will spend St. Patrick's Day sending off and welcoming those going through Logan Airport's Aer Lingus terminal.

Great mystery
On a moonlit Friday night in Newbury's First Parish Church, O'Leary's small gathering of chanters launches words of peace up through the brightly lit steeple, out across the burial ground across the road and into nearby salt marshes.

Participants come from as far away as Rockport and Lynn. A local woman who sang in her church choir says the chanting experience has been simple and calming, so she keeps coming back.

"I thought I would be nervous," says Julie McCullough. "But it's a secure environment where you feel like you can sing whatever comes to mind."

A professional astrologer who has been singing with O'Leary for four years has brought a woman with special needs, who insists at the end of every session that the group sing "Let There Be Peace."

Arranged in a circle at the front of the 135-year-old church, O'Leary keeps time on a big frame elk hide drum, providing the heartbeat. The group, all of them women on this evening, follows his lead toward simple repetitive lines - deviating, improvising or harmonizing as they feel necessary.

The idea, says O'Leary, is to teach the words and then let it go. Often, it winds up sounding professionally arranged, says O'Leary, who studied with Robert Gass, the chanting leader who wrote the 1999 book called "Chanting: Discovering Spirit and Sound."

O'Leary also teaches a class called Soulsong, which includes more singing and toning, in his Eastern Avenue studio in Gloucester. His voice is resonate and pure. It's simple in a way and perfect for Celtic ballads and chants that praise nature.

At one point, the group improvises a chant, each offering a line. "A boat on the shore. Has come from afar. To bring peace. I look down. I look up. At the stars. A boat on the shore."

The made-on-the-spot chant surprises the assembled by invoking powerful imagery of a boat on the shore beneath a starry constellation of another boat.

Another one written by O'Leary centers on female energy in nature: "Moon is the mother of the night. Sun's sister shining bright."

Valdes, who was born in Colombia, says she frequents drum circles and has participated in Native American chants and other similar gatherings, but this is the first time she has seen something as focused as Songfire. She hopes it will catch on, gain more chanters and continue.

Her voice is angelic, and though she arrives late because she has had to walk to the church on a cold night, the evening is obviously one she has anticipated.

When she sings, the 28-year-old closes her glitter-dusted eyes and tilts her head to the side. Her hair is covered with a scarf and a small ring adorns her nose above clear almond cheeks.

She offers a chant to share with the group that came to her in a dream.

"Oh Wolf, you visited in dream last night. Your eyes are mystery I cannot make clear. My heart is open. Your spirit so bright. Your call a blessing from great mystery."

"It's all about the sound and the energy," says Valdes. "It doesn't matter what the language is. It's all going the same place."

Interested?
Shubalananda will be back to lead Kirtan at Jennie Lee's Stillness in Motion Studio Friday, March 25, from 6-8 p.m., at 10 Prince St. in Newburyport. For information, call 978-463-0804 or visit www.stillnessinmotion.info.

Songfire meets monthly, Fridays, March 18, April 15, May 20 and June 17, 7:30-9 p.m. at NEISA (New England Institute of Sacred Arts) at First Parish Church, Route 1A, Newbury. Admission is $10 at the door. For information, call 978-270-8405 or visit www.neinstituteofsacredarts.org.

HEAVEN's Sound Healing is the second Friday of each month at its Newburyport studio. The next will be March 11, from 7-9 p.m. Admission is $25. For information, call 978-462-5454.